The sequel to cult sci-fi hit PITCH BLACK sees Vin Diesel enthusiastically returning to his role as Richard B. Riddick. Director-writer David Twohy is on board again, building on themes established in the first movie, and expanding his vision with some incredible special effects work. Twohy opens the movie with Riddick on the run from a group of bounty hunters. He escapes them with ease, then seeks information from an old friend named Inam (Keith David). Inam informs Riddick that he has been singled out by an Air Elemental, Aereon (Judi Dench), as the one man who can stop the evil Necromongers from taking over the Universe. Suddenly, the Necromongers arrive on the planet, causing mayhem and destruction. They capture Riddick. He soon escapes, only to fall into the hands of the bounty hunters he so deftly eluded at the start of the movie. They take Riddick to a rogue prison planet where he is met by scorching heat, an underground penitentiary, and his female companion from PITCH BLACK, Jack (who is now called Kyra, and played by a different actress, Alexa Davalos). They plan their escape from the planet, and vow to bring down the Necromongers. Things don't go according to plan however, leading to a suspense-filled climax to the film, and an eyebrow-raising ending that suggests Twohy may have plans for further instalments in the story.

In this rugged sequel to MAD MAX, our titular hero comes to the aid of a small band of survivors struggling to protect their oil supply from savage, mohawked marauders. Set in the Australian Outback, the film boasts some spectacular set pieces, and plays out like a post-apocalyptic western.

Nearly 20 years after riding his last Crusade, Harrison Ford makes a welcome return as archaeologist/relic hunter Indiana Jones in Indiana Jones and the Kingdom of the Crystal Skull, an action-packed fourth installment that's, in a nutshell, less memorable than the first three but great nostalgia for fans of the series. Producer George Lucas and screenwriter David Koepp (War of the Worlds) set the film during the cold war, as the Soviets--replacing Nazis as Indy's villains of choice and led by a sword-wielding Cate Blanchett with black bob and sunglasses--are in pursuit of a crystal skull, which has mystical powers related to a city of gold. After escaping from them in a spectacular opening action sequence, Indy is coerced to head to Peru at the behest of a young greaser (Shia LaBeouf) whose friend--and Indy's colleague--Professor Oxley (John Hurt) has been captured for his knowledge of the skull's whereabouts. Whatever secrets the skull holds are tertiary; its reveal is the weakest part of the movie, as the CGI effects that inevitably accompany it feel jarring next to the boulder-rolling world of Indy audiences knew and loved. There's plenty of comedy, delightful stunts--ants play a deadly role here--and the return of Raiders love interest Karen Allen as Marion Ravenwood, once shrill but now softened, giving her ex-love bemused glances and eye-rolls as he huffs his way to save the day. Which brings us to Ford: bullwhip still in hand, he's a little creakier, a lot grayer, but still twice the action hero of anyone in film today. With all the anticipation and hype leading up to the film's release, perhaps no reunion is sweeter than that of Ford with the role that fits him as snugly as that fedora hat. --Ellen A. Kim